If only this was the case. In the world of artist and educator Matt Lu, it seems true that aesthetics reign supreme, driving palette, imagery and form in the majority of his creations. However, as much as this Seattle-based illustrator, painter, sculptor, designer and photographer would love that his work be viewed purely on its ability to visually please an audience, there exists the understanding that in the ever-shrinking world of the visual arts, one must increasingly define and defend intent.
"Eyes should be enough."
Does it make his work anymore or less meaningful? He shudders at the thought of a relationship between form and function weighing so heavily on a viewer that one can create preference on the work with only one's ears. His idea of a critique? "Eyes should be enough." But in an effort to expand not only his own perception but that of others like himself who tend to the side of aesthetics, Lu has begun to develop in himself a considerable reformation. With history books, topographical maps, old menus, tribal tattoos and a myriad of other background information, he has taken a new direction in his work, enthused that intent can mirror form without either losing any ground. Does this mean abandoning pure aesthetics for a more 'well-rounded' approach to developing themes and series? "Yeah, right."